James Dean may have been dead for the past 64 years, but that apparently isn’t enough to put an end to his film credits.
Hollywood production company Magic City Films recently said it had obtained the rights to digitally recreate the Rebel Without a Cause star’s likeness in an upcoming Vietnam war epic.
Adapted from Gareth Crocker’s novel, Finding Jack is a live-action movie about the U.S. military’s abandonment of canine units following the Vietnam War. The filmmakers announced Dean’s role in the production on Wednesday, stating the digital Dean is to be assembled using CGI, old footage and photos, and voiced by another actor. Directors Anton Ernst and Tati Golykh are to begin shooting Nov. 17
In an email, Ernst said they “tremendously” respect Dean’s legacy.
“The movie subject matter is one of hope and love, and he is still relevant like the theme of the film we are portraying,” said Ernst. “There is still a lot of James Dean fans worldwide who would love to see their favourite icon back on screen. There would always be critics, and all we can do is tell a great story with humanity and grace.”
Digitally manipulated posthumous performances have made some inroads into film, though they have been largely roles the actors already played, including Carrie Fisher and Peter Cushing, who first appeared together in Star Wars and were prominently featured in the franchise’s 2016 spin off Rogue One.
There have been similar resurrections in the past. Late actress Audrey Hepburn’s likeness was digitally reconstructed in a 2014 Dove Chocolate commercial, and Marilyn Monroe, Grace Kelly, and Marlene Dietrich were briefly featured in a 2011 Dior commercial.
But the prospect of James Dean, one of the most beloved former movie stars, being digitally resurrected for a supporting role in a feature length film was met with outspoken criticism. Chris Evans, the Captain America actor, was among those who called the plans disrespectful and wrongheaded.
“Maybe we can get a computer to paint us a new Picasso. Or write a couple new John Lennon tunes,” said Evans on Twitter. “The complete lack of understanding here is shameful.”
I’m sure he’d be thrilled 🙄<br><br>This is awful. <br><br>Maybe we can get a computer to paint us a new Picasso. Or write a couple new John Lennon tunes. <br><br>The complete lack of understanding here is shameful. <a href=”https://t.co/hkwXyTR4pu”>https://t.co/hkwXyTR4pu</a>
Zelda Williams — an American actress, director and writer, as well as daughter of late actor Robin Williams — also spoke out in criticism. Taking to Twitter, Williams compared the casting choice to “puppeteering the dead for their ‘clout’.”
“If all it takes is money & a distant relative’s permission, the future is GRIM and full of corporate ghosts,” Williams wrote.
I have talked to friends about this for YEARS and no one ever believed me that the industry would stoop this low once tech got better. Publicity stunt or not, this is puppeteering the dead for their ‘clout’ alone and it sets such an awful precedent for the future of performance. <a href=”https://t.co/elS1BrbDGv”>https://t.co/elS1BrbDGv</a>
Williams’ comments were taken as especially poignant by some, as her father Robin Williams famously restricted the use of his image for 25 years after his death.
Williams and Evans were far from alone, with Lord of the Rings star Elijah Wood, Grammy winner Diane Warren, and Canadian actor Devon Sawa all voicing their disapproval.
“They couldn’t give this role to an actual human?” Sawa tweeted.
A Canadian connection
Reanimating Dean through old footage and photos would be a herculean effort, which would require thousands of hours of effort to put him back on the screen.
And, most likely, it will be a Canadian VFX company putting him there.
Image Engine Design — a Vancouver-based visual effects studio that has worked on big name productions like Spider-Man: Far From Home, Elysium and Jurassic World: Fallen Kingdom — will be partnering with South African studio MOI Worldwide to bring Dean back to the spotlight in the independent film, Finding Jack, through the use of CGI, according to The Hollywood Reporter.
Image Engine is perhaps most famous for its work on Game of Thrones, including the infamous “loot train” scene and creating Daenerys’ fiery dragon Drogon.
Various news agencies reported that Image Engine executive producer Geoff Anderson will oversee the work done to bring Dean to the silver screen. Anderson has previously worked on Zero Dark Thirty, Chappie, Skyscraper and Pokemon: Detective Pikachu.
Though Image Engine declined to confirm or comment on their work on Finding Jack, spokesperson Sepi Motamedi told CBC in a statement that they have designed and worked on digital actors on past films, most notably Logan, and Fantastic Beasts: The Crimes of Grindelwald.
Motamedi also stated the studio is currently working on an additional film featuring a digital actor, but cannot name it at this time.
Image Engine and MOI would work directly with the filmmakers and Magic City Films, who bought the rights to Dean’s image through CMG Worldwide. That company represents Dean’s family, along with the intellectual property rights associated with many other deceased personalities, including Neil Armstrong, Bette Davis and Burt Reynolds.
Mark Roesler, chairman and chief executive of CMG, defended the usage of Dean’s image, saying the company has represented his family for decades. Noting that Dean has more than 183,000 followers on Instagram, Roesler said the actor still resonates today with audiences.
“James Dean was known as Hollywood’s ‘rebel’ and famously said, ‘If a man can bridge the gap between life and death, if he can live after he’s died, then maybe he was a great man. Immortality is the only true success,”‘ said Roesler. “What was considered rebellious in the ’50s is very different than what is rebellious today, and we feel confident that he would support this modern day act of rebellion.”
Dean had just three leading roles before he died in a car crash in 1955 at the age of 24: Rebel Without a Cause, East of Eden and Giant.